The acclaimed musical architect behind the haunting soundscape of Euphoria, Labrinth, has found himself at the centre of a significant industry upheaval. Following a dramatic declaration on March 13th that he was officially “out” of the music industry, the artist has since resurfaced with a series of pointed critiques, unleashing a fierce attack on the very business he seemingly abandoned.
Having masterfully crafted the musical scores for two seasons of the hit HBO series Euphoria, and even clinching an Emmy Award for his poignant track ‘All for Us’, Labrinth’s current sentiment towards both the industry and its players appears to have undergone a stark transformation. On March 18th, he took to Instagram to decry the pervasive “fakeness” he perceives within the music world. He articulated how the industry, in his view, has a corrosive effect on genuine creativity and authentic relationships, often reducing them to mere opportunistic, profit-driven exchanges. Labrinth has emphatically rejected this culture, advocating instead for a return to authenticity, loyalty, and a recognition of music as a meaningful art form, rather than a purely commercial venture.
His impassioned words, posted to his Instagram account, declared: “WHO THE F*** SAID THIS IS NORMAL OR OK TO TURN what I call GODS NOISE (our music) INTO BUSINESS TRANSACTIONS, I DONT SUBSCRIBE.”
The immediate aftermath of his post saw a significant reaction across social media platforms. The music community, in particular, rallied behind his sentiments, with fellow artists such as Dove Cameron and India Arie voicing their agreement and resonance with his outspoken stance.
This public disaffection comes at an interesting juncture, particularly given HBO’s prior announcement that legendary composer Hans Zimmer would be collaborating with Labrinth on a future season of Euphoria. At the time, Labrinth had enthusiastically described this partnership as an “exciting new chapter.” However, his recent pronouncements cast a long shadow, suggesting a profound shift in his perspective that is difficult to overlook, evidenced by his consecutive social media outbursts.
Labrinth’s Established Career Trajectory
Long before this current industry rebellion, Labrinth had already cemented his presence with a string of defining hits that continue to resonate deeply within the music landscape. His journey began with the release of his debut album, ‘Electronic Earth’, in 2012. This critically acclaimed work soared to number two on the UK charts and spawned massive successes like ‘Earthquake’ and ‘Beneath Your Beautiful.’
He continued to build on this momentum with ‘Imagination & the Misfit Kid’ in 2019, an album that delved into the inherent tension between artistic expression and commercial viability. His subsequent releases, including ‘Ends & Begins’ in 2023, which featured the Grammy-nominated track ‘Never Felt So Alone’, and the more recent ‘Cosmic Opera: Act I’ in 2026, have showcased his ongoing artistic evolution and his continuous exploration of his unique sound.
The Euphoria Phenomenon
Labrinth’s distinctive musical style reached a significant cultural zenith with his work on Euphoria. Far beyond simply composing background music, he was instrumental in constructing the entire emotional architecture of the series. His contribution not only earned him critical acclaim but also an Emmy Award for ‘All for Us’, firmly establishing him as a creator capable of transforming sound into compelling narrative.
As his music continues to forge powerful connections with a global audience, Labrinth’s candid and provocative social media posts are undoubtedly amplifying the buzz surrounding him. They serve to keep him squarely in the spotlight, prompting widespread discussion about the nature of the music industry and the role of artists within it.
The debate continues regarding Labrinth’s perceived “loss” of “God’s noise” as he launches this scathing critique of the music industry. What are your thoughts on his perspective? Share your views in the comments below.
